The Cursed Charm of Film Noir
Keywords:
Film noir, cultural sociology, film genre, film historyAbstract
Jean-Pierre Esquenazi begins identifyingthe film noir as a cinephile intuition,which would associate a vibrant thermalwithin a contemporary group of filmswith a subjective thermal characteristicof the American postwar period, andunderstanding it as a successful massmyth.References
Dmytryk, E. (1944). Murder My Sweet [Película]. Estados Unidos: RKO Pictures.
Esquenazi, J.P. (2018). El Film Noir. Historia y significaciones de un género popular subversivo. Ciudad Autónoma de Buenos Aires, Argentina: El cuenco de plata.
Preminger, O. (1944). Laura [Película]. Estados Unidos: 20th Century Fox.
Wilder, B. (1944). Double Indemnity [Película]. Estados Unidos: Paramount Pictures.
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