Eric Rohmer: Polygraph

Authors

  • David Oubiña Universidad de Buenos Aires / Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

Keywords:

Eric Rohmer, Mise en scène, cinematographic classicism

Abstract

After the death of André Bazin, Eric Rohmer took his place in the editorial office of Cahiersdu cinéma together with Jacques Doniol-Valcroze. It is the moment when young Turks beginto direct their first films. Of the former members of the magazine, only Rohmer remainsactively in the newsroom, guaranteeing continuity: the rescue of the Bazinian sensibility butapplied to a film idea proposed by the Hitchcocko-Hawksians. From a classical perspective,Rohmer insists that the mise en scène has a revealing character and that it should be nomore than a slight stylization of the real.

References

Bazin, A. (1990). ¿Qué es el cine? Madrid, España: Rialp.

Biette, J-C., Bontemps, J. y Comolli, J-L. (1965). L’ancien et le nouveau. Entretien avec Eric Rohmer. Cahiers du cinéma, (172), 32-42 y 56-59.

Pasolini, P. (1965). Le «cinéma de poésie». Cahiers du cinéma, (171), 54-66.

Domarchi, J., Doniol-Valcroze, J., Godard, J-L., Kast, P., Rivette, J. y Rohmer, E. (1959). Hiroshima, notre amour. Cahiers du cinéma, XVII (97), 1-18.

Gras, E., Moser, G., Bonzi, L. (Directores). (1955). Continente perduto [Documental]. Italia: Astra cinematográfica.

Jessua, A. (Director). (1964). La Vie á l’envers [Película]. Francia: IMDb.

Labarthe, A. (1961). Marienbad année zéro. Cahiers du cinéma, XXI (123), 28-32.

Marker, Ch., Resnais, A., Cloquet, G. (Directores). (1953). Les statues meurent aussi [Documental]. Francia: Présence Africaine Editions.

Narboni, J. (1983). The Critical Years: Interview with Eric Rohmer. En E. Rohmer. The Taste for Beauty (pp. 1-18). Nueva York, Estados Unidos: Cambridge University Press.

MacCabe, C. (2005). Godard. Retrato del artista a los setenta. Barcelona, España: Seix Barral.

Resnais, A. (Director). (1956). Nuit et bruillard [Documental]. Francia: IMDb.

Resnais, A. (Director) y Braunberger, P. (Productor). (1957). Toute la mémoire du monde [Cortometraje]. Francia: Les Films de la Pléiade.

Resnais, A. (Director). (1959). Hiroshima mon amour [Documental]. Francia/Japón: Argos Films.

Resnais, A. (Director). (1961). L’Année dernière à Marienbad [Película]. Francia: Cineriz.

Rivette, J. y Labarthe, A. (1961). Entretien avec Alain Resnais et Alain Robbe – Grillet. Cahiers du cinéma, XXI (123), 1-21.

Rohmer, E. (1959). La ‘Somme’ d’André Bazin. Cahiers du cinéma, XVI (91), 38-45.

Rohmer, E. (1961). Le goût de la beauté. Cahiers du cinéma, XXI (121), 18-25.

Rohmer, E. (1989). L’âge classique du cinéma. En The Taste for Beauty (pp. 40-43). Nueva York, Estados Unidos: Cambridge University Press.

Rohmer, E. (2010). Le celluloïd et le marbre: suivi d’un entretien inédit avec Noël Herpe et Philippe Fauvel. París, Francia: Éditions Léo Scheer.

Rozier, J. (Director). (1962). Adieu Philippine [Película]. Francia / Italia: Rome Paris Films, Euro International Film (EIA).

Weyergans, F. (1961). Dans le dédale. Cahiers du cinéma, XXI (123), 22-27.

Downloads

Published

2018-11-27

How to Cite

Oubiña, D. (2018). Eric Rohmer: Polygraph. Arkadin, (7), 60–68. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/arkadin/article/view/650

Issue

No. 7 (2018): Arkadin 7

Section

Tema central

License

The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.

According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arkadin the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.