Resistir con la imagen es un acto político. Sobre 48 de Susana de Sousa Dias
Keywords:
Cine, documental, imagen archivo, memoria, resistenciaAbstract
Este texto propone pensar la potencia de la imagen (particularmente la imagen-archivo) ante los hechos de genocidios y torturas ejercidos por parte del Estado, a partir del film 48 (2009), de Susana de Sousa Dias. Nos preguntamos aquí, frente a las tesis de lo «inimaginable» y de lo «irrepresentable»: ¿Cómo dar cuenta de los horrores cometidos por los hombres contra los hombres? ¿Es posible una representación? ¿Con qué objeto? ¿Es capaz la imagen de aportar algún tipo de conocimiento histórico? Apostamos por la posibilidad, y a la vez la necesidad, de pensar, imaginar y mostrar el horror, pese a todo, para sostener viva la memoria de los pueblos y como acto de resistencia política.
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