Films de familia, cine amateur y la memoria del mundo
Keywords:
Film de familia, apropiación, documental, memoria, cineAbstract
¿Cómo extraer de los films amateurs una memoria del mundo? La recuperación de imágenes amateurs y de registros familiares en films documentales se intensificó en el transcurso de las últimas dos décadas. Este artículo discute las nociones del cine amateur y familiar propuestas por el investigador Roger Odin, el gesto de apropiación y de desplazamiento de esas imágenes, así como su recontextualización, en el cine contemporáneo. Nos concentraremos en la obra del artista húngaro Péter Forgács, quien, desde los años 1980, realiza instalaciones y documentales con imágenes amateurs producidas, en gran parte, por camarógrafos judíos de Europa Central, en los años que antecedieron a la Segunda Guerra Mundial, hasta la era comunista de posguerra. Forgács crea en estos filmes una trama compleja en que la vida de los personajes y los rumbos tomados por ellos, se confunden con el destino del mundo.
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