Recreating Hollywood Cinema
Rehearsing Variations to Refound the Senses of Cinema
DOI:
https://doi.org/10.24215/2525085Xe073Keywords:
appropriation cinema, Hollywood cinema, editing, audiovisual deconstruction, found footage cinemaAbstract
This book by César Ustarroz revises the idea of cultural appropriation and appropriation cinema as cultural heritage through Hollywood films. It seeks to understand the works circulating in the media landscape, revealing implicit codes and scrutinizing the layers of meaning that interweave between the cultural artifacts we call films and their viewers. Explore the various forms of cinematic rewriting, examine the most varied uses of editing, and delve into the deconstructive strategies of found footage cinema to unfold a map of the poetics of intervention in Hollywood imagery.
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