Rehearsed Images
DOI:
https://doi.org/10.24215/2525085Xe072Keywords:
counter-hegemonic, decolonial, disruptive, film-essay, deterritorializationAbstract
This book approaches the relationship between image and thought from the notion of imagomaquia, understood as the tension between the hegemonic audiovisual discourse -which imposes ways of seeing and thinking- and the forms of counter-enunciation proper to the cinema-essay, which resist the logic of cinema-capital. From the macro-concept of image-thinking, the author draws a cartography of audiovisual forms that configure modes of critical thinking, such as image-deconstruction, image-multiplicity or image-writing, among others.References
Bouhaben, M. (2024). Imagomaquia / La imagen–pensamiento. Prometeo
Deleuze, G. (1984). La Imagen-movimiento - Estudios sobre cine 1. Paidós
Deleuze, G. (1987). La Imagen-tiempo - Estudios sobre cine 2. Paidós
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