«O Som Do Som»
The Survival of The Phonogram in Julio Bressane
DOI:
https://doi.org/10.24215/2525085Xe068Keywords:
Julio Bressane, Aby Warburg, montage, NachlebenAbstract
In this text, we will analyze the peculiar practice of audiovisual montage in two works by Brazilian filmmaker Julio Bressane, both shot in Italy: Ritmo (2024) and Ver, viver, reviver (2007). The filmmaker incorporates what he calls «phonograms», fragments of soundtracks belonging to own or foreign works, into the visual text of these films, giving rise to a poetic of fragment; a peculiar feeling of dislocation; and a chance of survival from the past into the present.References
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