With All This Panic, Sincerely
Drawings Coming to Life and Materializing Ideas
DOI:
https://doi.org/10.24215/2525085Xe060Keywords:
animation, movement, subjectivity, cartoonAbstract
Con todo este pánico, Atte. [With all this panic, Sincerely.] (2024) is the search to represent a look afflicted with stage fright and to break it down through the use of animation. From the cartoon technique, the sensations and perceptions of the protagonist are explored, configuring a subjective world. The drawings articulate the process of the work, from its origin to the result of seeing them narrated in movement.References
Beck, J. (2004). El arte de animación en Norteamérica: El “Cartoon” estadounidense [Apunte de Cátedra]. Cátedra de Animación, Facultad de Artes, Universidad Nacional de La Plata.
González A. R. y Siragusa C. (2013). La invisible indefinición sobre la animación. En Gonzáles A.R. (Ed.), Poéticas de la Animación Argentina 1960-2010 (pp. 12-22). Editorial La Barbarie.
Jayne, L. (28 de enero de 2018). Nailbiter. [Cortometraje animado]. Vimeo. https://vimeo.com/253142940
Sáenz Valiente, R. (2006) Cómo animar. En Arte y Técnica de la Animación: Clásica, corpórea, computada para juegos o interactiva (pp. 337-407). De la Flor.
Law, T.. (10 de mayo de 2013). This Actually Happens a Lot. [Cortometraje animado]. Youtube. https://www.youtube.com/watch?v=3WKfgbUkSug&t=8s&ab_channel=TomLaw
Vicent, V. (3 de febrero de 2017). Agoraphobia [Cortometraje animado]. Youtube. https://www.youtube.com/watch?v=6ydKQDIFf1I
Vicent, V. (16 de abril de 2019). Dead end [Cortometraje animado]. Youtube. https://www.youtube.com/ watch?v=RUaOpH31IRU&ab_channel=vewn
Wells, P. (1998) Understanding animation [Comprendiendo la animación]. Routledge.
Williams, R. (2001) Animator’s Survival Kit [Kit de supervivencia para animadores]. Farrar, Straus and Giroux.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arkadin the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.