Common Imaginaries. Cinema and Situated Experience
DOI:
https://doi.org/10.24215/2525085Xe058Keywords:
art, cinema, situated experience, territory, othernessAbstract
Crossing the fields of art and cinema, the article seeks elements that allow us to bring collaborative aspects of film production closer to so-called community-based artistic practices. Considering that the search for genealogies in the past aims at the present, we carried out a back-and-forth movement in order to present some assumptions of the research entitled Art and cinema in the years 1960 to 1980: otherness and situated experience in Latin America.References
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