Sound Labyrinths and The Imbalance of The Present in The Image
Weak Rangers (2022) by Lucia Seles
DOI:
https://doi.org/10.24215/2525085Xe056Keywords:
image, sound, montage, affects, dialoguesAbstract
The sound in Lucía Seles’ cinema functions as a link between emotional situations and thought. It generates interpretive lines that distance the viewer from the unity of action and leads them to establish alternative connections. Seles’ cinema operates in the interstice, in what fails, in the way neurosis constructs and deconstructs emotional relationships. Through the disjunction of image and sound, along with the decomposition of scene editing, the current dimension of the shot houses in her films the virtual dimension of a past that disrupts the present.References
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Deleuze, G. (2021). Diferencia y Repetición. Amorrortu Editores.
Deleuze, G. (2023). Cine IV. La imagen del pensamiento, semiótica y actos de fabulación. Cactus.
Seles, L. (Directora). (2022-20223). Trilogía de odio desencadenada [Película]. Gong.
Seles, L. (Directora). (2022). Smog en tu corazón [Película]. Gong.
Seles, L. (Directora). (2022). Saturday Disorders [Película]. Gong.
Seles, L. (Directora). (2022). Weak rangers [Película]. Gong.
Serie gong cine. (s. f.) Smog en tu corazón. Sinopsis. https://seriegongcine.com/wp-content/uploads/Smog-En-Tu-Corazon-poster.webp
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