Elements for A Deepening of Sound and Listening in Cinematographic Work
DOI:
https://doi.org/10.24215/2525085Xe054Keywords:
sound, cinematographic learning, listening; analysis, experimentationAbstract
Ideas are developed for learning cinematographic sound from three axes: the incorporation of listening, and the analysis and the experimental use of cinematographic sound. The order is not accidental, as it is based on the development of listening framed in a sensitive openness in cinematographic work. On these bases, the analysis will look for shapes to the plane and the experimentation will test what we call sound ideas here. An opening of the cinematographic work as a work of sensitivity is concluded: it is this perspective that governs a learning of sound in cinema.References
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