Historia(s) de un cine legible

Authors

  • Eduardo A. Russo Facultad de Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/2525085Xe053

Keywords:

Film, Modernity, Authorship, Criticism, Theory

Abstract

The article reviews Caligrafías de la imagen by David Oubiña, which provides a historical and analytical study of the notion of authorship in modern cinema, from the origins of the politique des auteurs to its contemporary redefinition. By examining the origins of cinematic authorship through critical and theoretical elaborations, Oubiña offers a comprehensive analysis of this category. The article explores not only its implications as a critical tool and weapon in artistic, cultural, and political debates, but also its importance in the conception of modern cinemas. It becomes a guiding thread that allows us to appreciate the survivals of modernity on present texts and screens, as well as some paradoxes of its contemporary understanding.

References

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Browne, N. (1990). Cahiers du cinéma 1969-1972. The Politics of Representation [Cahiers du cinéma. La política de la

representación]. Harvard University Press.

Caughie, J. (1981). Theories of Authorship[Teorías de autoría]. Routledge & Kegan - BFI.

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revista. Tomo 1. Los Cahiers al asalto del cine (1951-1959)]. Editions de l’etoile.

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De Baecque, A. (2003) La cinéphilie. Invention d’un regard, histoire d’une culture [La cinefilia. Invención de una

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cincuenta. Neorrealismo, Hollywood, nueva ola]. Harvard University Press

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Hodsdon, B. (2017). The Elusive Auteur. The Question of Film Authorship Throughout the Age of Cinema [El autor

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Oubiña, D. (2023). Caligrafías de la imagen. De la política de los autores al cine de autor. Prometeo

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Published

2023-10-23

How to Cite

Russo, E. A. . (2023). Historia(s) de un cine legible. Arkadin, (12), e053. https://doi.org/10.24215/2525085Xe053

Issue

No. 12 (2023): Arkadin 12

Section

Reseñas bibliográficas

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