Kisses without goodbye
The pursuit of living for ever
DOI:
https://doi.org/10.24215/2525085Xe051Keywords:
Archive, Documentary, Montage, GazeAbstract
Los besos sin despedida [Kisses without goodbye] consists of discovering a new story based on two preexistent stories. It aims to address spectator attention by dismantling the archive material condition and the family archive records to approach a new audience. The present article is a reflection on the language strategies developed to meet those two materials and to tell an absent character. It highlights the possibility of editing to narrate all times, including all of them at the same time and as a result of this encounter to release a new gaze.References
Allard, L. (1999). L’amateur: une figure de la modernité esthétique. Communications. Le cinéma en amateur sous la direction de Roger Odin. https://doi.org/10.3406/comm.1999.2028
Benjamin, W. (2004 [1982]). Ciudad y arquitectura oníricas. Ensoñaciones utópicas, nihilismo antropológico, Jung, K. Libro de los Pasajes, p.394. Editorial Akal.
Nichols, B. (1997). La representación de la realidad. Cuestiones y conceptos sobre el documental. Ediciones Paidós, Ibérica, S. A.
Di Tella, A. (2007). en Archivos de la Filmoteca, Volúmenes 57-58. La Filmoteca.
Klein, I. (2009). La narración. EUDEBA.
Mora Méndez, N. (2020). Espigando el tiempo: Agnès Varda y Walter Benjamin en busca de la vida cotidiana. Calle 14: revista de investigación en el campo del arte. https://doi.org/10.14483/21450706.16259
Negroni, M. (2021). El corazón del daño. Penguin Random House.
Odin R. (2007). El film familiar como documento. Enfoque semiopramático. Archivos de la filmoteca: revista de estudios históricos sobre la imagen.
Piedras, P. (2014). El cine documental en primera persona. Paidós.
Schefer, R. (2008). Cap 2. Instalaciones, documental, autorretrato. Vi-deo memoria. Autobiografías, autorreferencialidad y autorretratos. En La Ferla, Jorge (comp.), Historia crítica del video Argentino, Museo de Arte Latinoamericano de Buenos Aires y Espacio Fundación Telefónica.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arkadin the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
