The (exposed) Cinema According to Raul Ruiz
DOI:
https://doi.org/10.24215/2525085Xe046Keywords:
Cinema, Installation Arts, Museum, Contemporary ArtAbstract
This article analyzes the recent exhibition «Raul Ruiz: The Eye that Lies», displayed at the Salvador Allende Solidarity Museum in Santiago de Chile, curated by Francisca García and Erik Bullot. Through a series of reconstructions and documentation of installations designed by the Chilean filmmaker in the nineties, Bullot and García present a cinematic thought in stage. Ruiz´s poetics utilized installations as a testing ground to extend the forms of a cinema in a state of transition and transformation, now recovered by his initiative that links research, artistic production and cinematic thinking.References
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Torrent, J. (2020b). Paradox, Allegory and Miscellanea. An Interview with Raul Ruiz. [Paradoja, alegoría y miscelánea: una entrevista con Raul Ruiz]. https://vimeo.com/86692531
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