Editing as a Battlefield
A Conversation with Andrea Kleinman, Lucía Torres Minoldo and Valeria Racioppi
DOI:
https://doi.org/10.24215/2525085Xe028Keywords:
Montage, editing, editing techniques, material, archiveAbstract
An interview with Andrea Kleinman, Lucía Torres Minoldo and Valeria Racioppi. We talked to Argentinian film editors about their work, on general ideas about montage, professional practice, editing techniques in documentary and fictional films and editing with archive film footage. During the talk, they also bring in some ideas on collaborative working and gender inequalities in employment, which lead us to examine some working methods in the film industry that still remain in practice.References
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Fernández Mouján, A. (Director). (2015). Damiana Kryygi [Película]. Argentina: Océano Films, Gema Films, INCAA.
Gomes, P. (Directora). (2015). Jonas e o Circo sem Lona [Jonas y el circo sin carpa] [Película]. Brasil: Plano 3 Filmes.
Marcone, D. (Director). (2016). Raídos [Película]. Argentina: La Marmota Contenidos.
Medina, N. (Director). (2018). Instrucciones para flotar un muerto [Película]. Argentina: El Calefón.
Pearlman, K. (2015). Cutting Rhythms: Intuitive Film Editing [Cortando ritmos. Montaje intuitivo]. Reino Unido: Focal Press.
Radusky, E. (Director). (2019). Planta permanente [Película]. Argentina, Uruguay: Campo Cine, Salado Films.
Terribili, M. (Directora). (2018). Ausencia de mí [Película]. Argentina, Uruguay: Bella Sombra.
Torres Minoldo, L. (Directora). (2018). Nubes de febrero [Película]. Argentina.
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