Productions of Time
DOI:
https://doi.org/10.24215/2525085Xe019Keywords:
Film, photography, hibridization, installation, contemporary artAbstract
The article addresses the analysis of The Last Century (2005), the installation made by Sam Taylor Wood, assuming it at the same time as a particular case of intersection between the plastic, photographic an cinematographic image, and as a device that proposes and enables a sensitive experience and reflection on the categories of time an mobility in contemporary visual art. Conventional assumptions about films and photography, in particular —those two great epistemes that prevail in the history of techno-scientific images— are overstepped, challenged and evidenced as insufficiente from the hybrid and paradoxical strategy that grings this work into play, challenging the views and, retroactively, from an instance of digital production, to the history of the technical images that precede it.References
Caravaggio, M. (1599-1600). La vocación de San Mateo [Pintura]. Roma, Italia: Capilla Contarelli.
Dubois, P. (2012). A matéria-tempo e seus paradoxos perceptivos na obra de David Claerbout. Revista ECO-PÓS, 15(1).
Foucault, M. (2009). Outros espaços. En Ditos e escritos III – Estética, literatura e pintura, música e cinema.
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arkadin the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
