Montage in Depth: To Open Up the Archive for Seeing
DOI:
https://doi.org/10.24215/2525085Xe016Keywords:
Documentary film, montage in depth, memory, archive imageAbstract
Interview with the filmmaker, researcher and teacher of new media Susana de Sousa Dias. During her visit to Buenos Aires, she expressed her ideas about the montage and the uses of the archive in documentary cinema. We talked about the dimension of the montage in depth, the place of the memory, the uses of archival images and around her most recent film Fordlândia Malaise (2019), that addresses the history of the city founded by Henry Ford in the Amazonas.References
De Sousa Dias, S. (Directora). (2005). Natureza Morta [Película]. Portugal: KINTOP.
De Sousa Dias, S. (Directora). (2009). 48 [Película]. Portugal: KINTOP.
De Sousa Dias, S. (Directora). (2019). Fordlândia Malaise [Película]. Portugal: KINTOP.
Didi-Huberman, G. (2007). Das Archivbrennt [El archivo arde]. Berlín, Alemania: Kadmos.
Didi-Huberman, G., Chéroux, C. y Arnaldo, J. (2013). Cuando las imágenes tocan lo real. Madrid, España: Círculo de Bellas Artes.
Grandin, G. (2009). Fordlandia: The Rise and Fall of Henry Ford’s Forgotten Jungle City [Fordlandia: ascenso y caída de la olvidada ciudad de la jungla de Henry Ford]. Nueva York, Estados Unidos: Metropolitan Books.
L’Herbier, M. (1979). La tête qui tourne [La cabeza giratoria]. París, Francia: Belfond.
Rancière, J. (2009). Le destin des images [El destino de las imágenes]. París, Francia: La Fabrique.
Traverso, E. (2016). La historia como campo de batalla. Interpretar las violencias del siglo XX. Ciudad de México, México: Fondo de Cultura Económica.
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arkadin the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.