The Cinema that Remains
DOI:
https://doi.org/10.24215/2525085Xe044Keywords:
Cinema, image, ruins, history, philosophyAbstract
Review of Gustavo Galuppo Alives (2022). Después de Godard. La legitimidad de lo incierto. Ciudad Gótica. Colección estación cine n˚ 29, 118 páginas. As it happens with El cine como promesa (Galuppo, 2018), after reading Después de Godard. La legitimidad de lo incierto (Galuppo, 2022) we see ourselves immersed in uncertainty. An unnamed uncertainty. An invitation to Galuppo΄s thought process, a field open to the uncertain. The cinema that remains is, for Galuppo, the cinema of disaster. After total destruction, what remains are the ruins from which to (re)build, where the desire for another cinema capable of inventing-creating another world is possible.References
Benjamin, W. (2022 [1942]). Tesis sobre el concepto de historia y otros ensayos. Cúspide.
Borges, J.L. (1998 [1949]). El Aleph. En El Aleph(pp. 175-198). Alianza editorial.
Borges, J.L. (1956 [1941]). El jardín de senderos que se bifurcan. En Ficciones (pp.97-111). Emecé.
Galuppo, G. (2022) Después de Godard. La legitimidad de lo incierto. Ciudad Gótica.
Galuppo, G. (2018) El cine como promesa. Sans Soleil.
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