Performance As Identity Builder
DOI:
https://doi.org/10.24215/24691488e044Keywords:
Body, performance, identityAbstract
In «Performance as identity builder», I seek to analyze and understand the way in which postmodernist artists conceived and used their own body. While there are many ways in which the body was used in this stage, this article focuses in how it has affected the shaping of an identity. From the approach of Las Yeguas del Apocalipsis’s work, Refundación de la Universidad de Chile, the article questions why it was so impacting this performance for the viewer, which was its objective and why the performance and the use of their own bodies were the most efficient way to express this message.Downloads
References
Belting, H. (2007). La imagen del cuerpo como imagen del ser humano. Una representación en crisis. En Antropología de la imagen (pp. 109-142). Ciudad Autónoma de Buenos Aires, Argentina: Katz.
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Le Breton, D. (1990). Antropología del cuerpo y modernidad. Ciudad Autónoma de Buenos Aires, Argentina: Nueva Visión.
Michaud, Y. (2005). Visualizaciones: el cuerpo y las artes visuales. En A. Corbin, J. J Courtine y G. Vigarello (Dir.), Historia del cuerpo. Volumen III: El siglo XX. Las mutaciones de la mirada (pp. 400-420). Madrid, España: Taurus.
Deleuze, G. (1991). Posdata para las sociedades de control. En C. Ferrer (Comp.), El lenguaje libertario (pp. 1-4). Montevideo, Uruguay: Editorial Nordan.
Taylor, D. (2011). Introducción. Performance, teoría y práctica. En D. Taylor y M. Fuentes (Eds.), Estudios Avanzados de performance (pp. 7-30). Ciudad de México, México: Fondo de Cultura Económica.
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