The Poster Is. an Approximation from the Idea of Device
DOI:
https://doi.org/10.24215/24691488e042Keywords:
Poster, sticker, deviceAbstract
In this paper we intend to explore the singularities of the artistic poster from an approach at its multiple dimensions as a visualization device. Analyzing the spatial, temporal, relational and semiotic characteristics of the poster allow us to feature answers to the question concerning the artistic value of these graphic productions. Then, we will consider the case of La vida es (2018) by Ilusión Gráfica, an art collective from La Plata, presented at the exhibition “A museum as an eternal novel” that took place at the UNLP Art Center, during June and July 2018.Downloads
References
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Centro de Arte de la UNLP. (2018). Un museo como una novela eterna [Catálogo]. Recuperado de https://www.centrodearte.unlp.edu.ar/wp-content/uploads/2019/03/Un-Museo-como-una-Novela-Eterna.pdf
Deleuze, G. (1990). ¿Qué es un dispositivo? En AA. VV. Michel Foucault, filósofo (pp. 155-163). Barcelona, España: Gedisa.
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Grüner, E. (2000). El arte, o la otra comunicación. En Argentina. 7.º Bienal de La Habana (pp. 1-3). Ciudad Autónoma de Buenos Aires, Argentina: Ministerio de Relaciones Exteriores, Comercio Internacional y Culto. Programa de Naciones Unidas para el Desarrollo.
Ilusión Gráfica. (2017). La vida es [Registro fotográfico]. Recuperado de https://www.instagram.com/p/BQN-jaBlPMf/
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