Gesture and Perception
DOI:
https://doi.org/10.24215/24691488e033Keywords:
Gesture, perception, Vilém Flusser, apparatusAbstract
The definition of gesture as a movement lacking in causality proposed by Vilém Flusser has branched into rupturistic ways of conceiving and delimiting what should be considered art. This definition presents the problem of not being able to establish a stable relationship between gesture and culture. In this way, we will first expose the problem in question, and the dead ends to which it leads; then we will take the contributions of Martoni-Ulm in his reworking of «redundant rituals» vs. «informative rituals» to make the explanation of the gesture more complex in its nexus with the intersubjective. And finally we propose three examples of artistic gestures.Downloads
References
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