Bodily Movement and Construction of Musical Meaning. Evaluation of Criteria for Classification

Authors

  • Luciana Milomes Laboratorio para el Estudio de la Experiencia Musical. Facultad de Bellas Artes. Universidad Nacional de La Plata
  • Mónica Valles Laboratorio para el Estudio de la Experiencia Musical. Facultad de Bellas Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/24691488e028

Keywords:

Embodied cognition, musical performance, intersubjectivity, chamber music, bodily movement

Abstract

This work aims to estimate the adequacy of the criteria for the analysis of the body movement of the members of the chamber duo during the performance of a musical work. This purpose is linked to the assumptions of the movement displayed by musicians, provide information about the joint construction of musical performance. The application of Laban system categories and the distinction between epistemic and intentional movements in line with the notion of resonance levels with music proposed by Leman (2008), such as variations in body movement and the interpreter during both instances. The application of these criteria provided data that account for body movement as a communicator of intersubjective musical construction.

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References

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Valles, M. y Martínez, I. (2010). Las articulaciones corporales como indicadores de la comprensión de la estructura métrica. Un estudio exploratorio. En Actas de la IX Reunión Anual de SACCoM (pp. 248-256). Ciudad Autónoma de Buenos Aires, Argentina: Sociedad Argentina para las Ciencias Cognitivas de la Música. Recuperado de http://www.saccom.org.ar/2010_reunion9/actas/37.Martinez-Valles.pdf

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Published

2019-05-30

How to Cite

Milomes, L., & Valles, M. (2019). Bodily Movement and Construction of Musical Meaning. Evaluation of Criteria for Classification. Arte E Investigación, (15), e028. https://doi.org/10.24215/24691488e028

Issue

No. 15 (2019): Arte e Investigación 15

Section

Articles

License

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