Territories and Ceramics in Barro Calchaquí 2018. Records of a Craft in Deconstruction
DOI:
https://doi.org/10.24215/24691488e027Keywords:
Ceramics, territories, Latin American artAbstract
Barro Calchaquí is a ceramics festival that gathers artistic practices which have their origins in the region of the Calchaquí valley.. Starting from a recordof experiences we describe clue patterns of local contemporary ceramic. We follow the path initiated by Ticio Escobar (2014), who states thatpopular art that together with examples of concrete specific artistic practices make their contribution to the development of a Latin American theory of arts. We found that ceramic craft is being done jointly, it shows their building processes, it is shared on the ground of limestone soils and it is in deconstruction.Downloads
References
Barro Calchaquí. (28 de febrero de 2018a). Página principal [Entrada de blog]. Recuperado de http://barrocalchaqui.blogspot.com
Barro Calchaquí. (2018b). Publicaciones [Facebook]. Recuperado de https://www.facebook.com/barrocalchaqui/
Chrétien, E. (2013). Tranchée - Alexandra Engelfriet, VdF 2013 [Archivo de video]. Recuperado de https://vimeo.com/70952187
Correa, N. (2018). Entrevista a Gastón Contreras, organizador de Barro Calchaquí. Hablando de Arte. Rivadavia am 630. [Archivo de audio]. Recuperado de https://radiocut.fm/audiocut/hablando-de-arte-13-05-18/#f=search&l=result
Cruz, G. (2018). Javier Chocobar: lo que dejó la justicia 9 años y 12 días después. La Plata. Recuperado de https://lapalta.com.ar/derechos-humanos/2018/10/29/javier-chocobar-lo-que-dejo-la-justicia-9-aos-y-12-dias-despues
[Elfakafacundo]. (16 de julio de 2018). Arcilla, Cámara, Acción!Producción del taller de Stop Motion realizado en el Barro Calchaquí 2018 [Archivo de video]. Recuperado de https://www.youtube.com/watch?v=e1a78ozZa_g
Escobar, T. (Comp.). (2014). El mito del arte y el mito del pueblo: cuestiones sobre arte popular. Ciudad Autónoma de Buenos Aires, Argentina: Ariel.
Giudicelli, C. (2007). Encasillar la frontera. Clasificaciones coloniales y disciplinamiento del espacio en el área diaguito-calchaqui, siglos XVI-XVII. Anuario de la Revista del Instituto de Estudios Histórico Sociales, (22), 160-211. Recuperado de https://halshs.archives-ouvertes.fr/halshs-01730920/document
Giudicelli, C. (2018). Disciplinar el espacio, territorializar la obediencia. Las políticas de reducción y desnaturalización de los diaguitas-calchaquíes (siglo XVII). Chungará (Arica), 50(1), 133-144. Recuperado de https://scielo.conicyt.cl/pdf/chungara/v50n1/0717-7356-chungara-00201.pdf
Manzanelli, M. (2018). Espacios de lucha territorial y reconocimiento identitario. Experiencias comunitarias de los Chuschagasta. Intersticios de la política y la cultura. Intervenciones latinoamericanas, 7(14), 115-140. Recuperado de https://revistas.unc.edu.ar/index.php/intersticios/issue/view/1794/showToc
Mignolo, W. (2007). La idea de América Latina: la herida colonial y la opción decolonial. Barcelona, España: Gedisa.
Ordóñez, R. (29 de abril de 2012). El cuaderno de barro. Miquel Barceló y el pueblo Dogón [Archivo de video]. Recuperado de https://vimeo.com/41234369?ref=fb-share&1
Paltrinieri, A., Serra, M. F., Rendtorff, N. (mayo de 2018). Materialidad de la producción de Casira, pueblo alfarero contemporáneo. Ponencia presentada en la 1º Reunión Internacional, Intersecciones Ciencia, Arte y Patrimonio. Instituto de Micología y Botánica UBA-CONICET, Sociedad Científica Argentina. Ciudad Autónoma de Buenos Aires, Argentina.
Pollo, J. (1 de agosto de 2018). Vero Córdoba: «Comprar una olla de barro es un hecho político». La tinta. Recuperado de https://latinta.com.ar/2018/08/vero-cordoba-comprar-olla-barro-hecho-politico
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International. According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arte e Investigación the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the National University of La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
