Fragment and Montage in the Visual Arts. Transfers, Migrations and Anachronisms
DOI:
https://doi.org/10.24215/24691488e022Keywords:
Visual arts, time, anachronism, montageAbstract
A brief tour through the fundamental changes related to the reading and perception of time and its impact on the models of analysis used in the historiography of art allows us to account for the importance of anachronism and montage not only as other ways of looking at history but as discursive mechanisms in visual artistic production. The appropriation, emptying, fragmentation and juxtaposition are presented as associated allegorical operations that generate resignifications, valuable alternatives for approaching the object of study and new layers of meaning in the critical reading of certain historical events and their correspondences in the field of arts.Downloads
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