The Unspeakable in Archival Poetics. Four Displacements towards the Political Critical
DOI:
https://doi.org/10.24215/24691488e011Keywords:
Political art, archival art, the unspeakable, displacementAbstract
The following article examines the ways of representing the unspeakable in artworksproduced from archives. We will take as cases A.I.A (Agency of Artistic Investigations)(2016) and El Camaleón (2011), both works of the Argentinean artist Eduardo Molinari.The productions will be put into dialogue by stressing the concepts of displacement,developed by Jacques Rancière: the game, the inventory, the invitation and the mystery.Downloads
References
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