Music and Movement. The Perceiver’s Musical Experience

Authors

  • María Marchiano Laboratorio para el Estudio de la Experiencia Musical Facultad de Bellas Artes Universidad Nacional de La Plata
  • Isabel Cecilia Martínez Laboratorio para el Estudio de la Experiencia Musical Facultad de Bellas Artes Universidad Nacional de La Plata

Keywords:

Music, movement, perceiver, temporality, agency

Abstract

In the research of musical experience, the enactive and embodied cognitive science offers many characterizations of music. This work proposes to organize and re-elaborate them under the global categories of temporality and apparent agency, focusing on the process of signification and on the musical experience of the perceiver. Movement plays a central role in the relationship between sound environment and subject, and its signification leads to the enactive and embodied construction of music.

Downloads

Download data is not yet available.

Downloads

Published

2017-11-28

How to Cite

Marchiano, M., & Martínez, I. C. (2017). Music and Movement. The Perceiver’s Musical Experience. Arte E Investigación, (13), 154–165. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/aei/article/view/526

Issue

No. 13 (2017): Arte e Investigación 13

Section

Articles

License

The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International. According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.

The cession of non-exclusive rights means that after the publication (post print) in Arte e Investigación the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the National University of La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.

Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.