Between lands, water and fire. Artistic practices and contemporary social effects
Keywords:
Materialities, contemporaneity, ceramics, breakups, poeticsAbstract
This article approaches contemporary art practices linked to social issues which defy all presentcategories. The Mexican artist Teresa Margolles shows a country cornered by the narcos. Guatemalan Regina José Galindo exposes her body as a living scene. Alexandra Engelfriet together with other three artists does a performance in a clay quarry. Palestinian artist Jamal Dajani soaks clothes in clay and makes sculptures in actual size to build installations that will be eroded and ultimately demolished by the wind or the bombings. Ceramic and visual materialities in the hands of each artist are a breakup process and thus face violence, uncertainty, brutality, from a critical perspective that reach to symbolic universes and poetics.Downloads
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International. According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arte e Investigación the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the National University of La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.