Heterotropia and hyperthrophy in contemporary cinematography

Authors

  • Eduardo A. Russo Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano Facultad de Bellas Artes Universidad Nacional de La Plata

Keywords:

Cinematography, contemporary, aesthetics, spectator, media

Abstract

This article analyzes the concept of heterotropia, from its initial formulation by Michel Foucault, in relation to its effectiveness and trajectory, connecting it with the cinematographic thinking. The category is analyzed in its derivations within the cinematography aesthetics field. Regarding the transformations in cinematography, its condition as artistic means and the spectator practices, the analysis incorporates a hyperthrophic dimension, of increasing impact on the contemporary cinematography.

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Published

2016-12-07

How to Cite

Russo, E. A. (2016). Heterotropia and hyperthrophy in contemporary cinematography. Arte E Investigación, (12), 39–46. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/aei/article/view/366

Issue

No. 12 (2016): Arte e Investigación 12

Section

Articles

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