Utopía y heterotopía en Jauja, de Lisandro Alonso
Keywords:
Jauja, utopia, heterotopia, transformationAbstract
In this work, we suggest an interpretation of Lisandro Alonso’s movie Jauja (2014), based on the concepts of utopia and heterotopia developed by Michael Foucault with the aim of presenting a critical view on the theoretical conceptual basis that we observe in the film, as well as its narrative construction. We intend to demonstrate that the movie in question, as well as Lisandro Alonso’s cinematography, undergoes a transformation that goes from utopia to heterotopia reviewing other spaces and renewing its way of narrating, without losing coherence.Downloads
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International. According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arte e Investigación the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the National University of La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
