El Yo autoral en los documentales del noventa. Mujeres que retornan por sus muertos

Authors

  • Alejandro Agustín Stábile Facultad de Bellas Artes. Universidad Nacional de La Plata

Keywords:

Cinematography, memory, subjectivity, testimony, mourning

Abstract

At the end of the ‘90s, in the Argentine documentary cinematography, young views that assume the first person as a narrative point of view arise. These audiovisual stories, produced with a marked subjectivity, take discourses that belong to the private memory and which are sensitive to being transferred to larger social formations. The present work suggests an analysis of three documentary productions and takes them as a film corpus: Papá Iván (2000), by María Inés Roqué; Encontrando a Víctor (2004), by Natalia Bruschtein, and Un tal Ragone: deconstruyendo a pa (2006), by Vanesa Ragone. These three films have a similar plot: a story based on the parental role missing during the last civil-military dictatorship in Argentina (1976-1983) from a daughter’s perspective.

Downloads

Download data is not yet available.

Downloads

Published

2015-11-27

How to Cite

Stábile, A. A. (2015). El Yo autoral en los documentales del noventa. Mujeres que retornan por sus muertos. Arte E Investigación, (11), 106–113. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/aei/article/view/35

Issue

No. 11 (2015): Arte e Investigación 11

Section

Articles

License

The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International. According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.

The cession of non-exclusive rights means that after the publication (post print) in Arte e Investigación the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the National University of La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.

Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.