Fanfare for a New Theatre. Forma y manipulación serial

Authors

  • María Cecilia Villanueva Facultad de Bellas Artes Universidad Nacional de La Plata
  • Mariano Etkin Facultad de Bellas Artes Universidad Nacional de La Plata

Keywords:

Miniatura, Serialismo, Repetición, Microvariación

Abstract

Fanfare for a New Theatre es un ejemplo extraordinario del refinamiento compositivo de Igor Stravinsky, dada la mínima duración de la obra y la funcionalidad de su origen. A diferencia de las miniaturas de la Escuela de Viena, la Fanfare remite a un clisé preexistente, utilizando una serie dodecafónica que no sólo es tratada de manera contraria a los preceptos seriales convencionales, sino que integra esa manera antagónica a la construcción interna del clisé. Se describen los sutiles procedimientos constructivos, la articulación en frases, la interpenetración entre prácticas seriales heterodoxas y los procedimientos de mínima variación en Stravinsky.

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Published

2013-11-21

How to Cite

Villanueva, M. C., & Etkin, M. (2013). Fanfare for a New Theatre. Forma y manipulación serial. Arte E Investigación, (9), 131–138. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/aei/article/view/283

Issue

No. 9 (2013): Arte e Investigación 9

Section

Articles

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