Young People and Rock in The Democratic Transition: Montevideo (1980-1989)
DOI:
https://doi.org/10.24215/24691488e112Keywords:
transitions, dictatorship, rock in UruguayAbstract
This article focus on highlighting some fundamental aspects that influenced popular music produced in Montevideo by the emerging generation during the last democratic transition (1980-1989), specifically the young people who chose to express themselves through rock. Groups of young people emerged seeking to exercise the freedom regained through democracy, which was limited by raids, detentions, and repression. The songs of the new generation express differences from the preceding generation that arose in a dictatorial context. From a cultural studies perspective, the aim is to incorporate knowledge from various disciplines and transcend academic boundaries, establishing a dialectical process with the universe under investigation and its sources.Downloads
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