Rules and Processes of Legitimation in The Theater of La Plata
DOI:
https://doi.org/10.24215/24691488e091Keywords:
Theater, legitimation, festivals, poeticsAbstract
The present work is an meditation attempt on the rules of La Plata’s theatrical practice legitimation. The absence of clear rules and paradigms tensions the relation between the intellectual field, the power field and La Plata’s emerging theatrical poetics. These tensions directly affects the way in which those poetics –and even the theatrical system itself– are named. Finally, it is considered that resorting to rules of other theatrical systems that establish their own aesthetic paradigms has made it possible for the local theater to not end up consolidating itself as a system and, that within the theater in La Plata, different events emerge that allow thinking about the practice theater of the region and institute rules that legitimize it.Downloads
References
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Foster, H. (2001). Retorno de lo Real. La vanguardia a finales de siglo. Ediciones Akal.
Heredia, J. M. (2014). Dispositivos y/o Agenciamientos. Contrastes. Revista Internacional de Filosofía, XIX (1), 83-101. https://www.uma.es/contrastes/pdfs/019/5-Juan_Manuel_Heredia.pdf
Méndez Llopis, C. (2015). De la originalidad y sus desplazamientos artísticos. El artefacto de la copia y lo abominable de lo original. Barcelona Investigación Arte Creación, 3 (3), 256-276. https//doi.org/10.17583/brac.2015.1567
Radice, G. (2016). Cartografías de la Fragmentación. Teatro Posdramático platense. Malisia
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