Sewing of Texts in Rhapsody Unfinished
Relations Between the Visual, the Linguistic and The Sound
DOI:
https://doi.org/10.24215/24691488e088Keywords:
Nicola Costantino, Contemporary art, Rhapsody, intertextuality, sound markAbstract
The works that the artist Nicola Costantino has been carrying out for more than a decade are characterized by profusely investigating the practice of appropriation and intertextuality, not only from the recovery of the formal structure of the work she quotes and the use of the homologous title, but in other more underhanded forms of transtextuality, which enhance poetic and political meanings. This written explores the way in which the work Rapsodia inconclusa (2013) ties together three types of texts - visual, written and sound, as borders of the same universe - and is configured as a piece of counterpoint between these various registers textual.Downloads
References
Biblioteca Nacional Mariano Moreno. (2013). Eva Perón en los libros. Biblioteca Nacional Mariano Moreno.
Costantino, N. (s. f.). Acerca de nicolacostantino.com.ar
Costantino, N. y Farina, F. (2015). Rapsodia Inconclusa. Fundación Amalia Lacroze de Fortabat.
Eco, U. (1985). Tratado de Semiótica general. Lumen.
Genette, G. (1989). Palimpsestos. Ed.Taurus.
Havelock, E. (1994) Prefacio a Platón. Antonio Machado Libros.
Havelock, E. (1996) La musa aprende a escribir. Paidós.
Jankélevitch, V. (2014). Liszt Rapsodia e improvisación. Alpha Decay.
Latam, A. (2008). Diccionario Enciclopédico de la música. Fondo de Cultura Económica.
Larrañaga, J. (2001). Instalaciones. Editorial Nerea.
Lotman, I. (1996). La semiosfera I (D, Navarro Trad). Ediciones Cátedra.
Marchán Fiz, S. (1994). Del arte objetual al arte de concepto. Akal.
Murray Shafer, R. (1977). The Soundscape. Knopf.
Murray Shafer, R. (1993). Voices of Tyranny, Temples of Silence. Arcana Editions.
Pierron, A. (1861). Historia de la Literatura griega. Barcelona.
Steimberg, O. (1993). Semiótica de los medios masivos. Atuel.
Vernant, J. (1993). El hombre griego. Paidós.
Vidal Naquet, P. (2000). El mundo de Homero. Fondo de Cultura Económica.
Wisnik, J. (2015) Sonido y sentido. Otra historia de la música. La marca editora.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Anabela Bres
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International. According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arte e Investigación the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the National University of La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
