Beyond the Objects

Sobre lo precario en Patrimonio (2003), de Ana Gallardo

Authors

  • Clara Carlón Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano. Facultad de Artes. Universidad Nacional de La Plata
  • Verónica Lucentini Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano. Facultad de Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/24691488e080

Keywords:

Artistic practice, performative turn, action, experience

Abstract

This article analyzes the installation Patrimonio (2003) by the Argentine artist Ana Gallardo in relation to what we consider a performative turn of the visual arts. From this perspective, the work emerges as evidence of a repertoire of previous actions and through a series of strategies that insert it into these ways of art production. This installation simultaneously promotes relationships of proximity and distance with dayto-day life by appealing to poetic-symbolic strategies that move between the scenic and the visual, transforming experiential and corporal experiences into artistic material. In this sense, the installation reveals itself as a hybrid territory between multiple disciplines and materialities.

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References

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Published

2021-12-15

How to Cite

Carlón, C., & Lucentini, V. (2021). Beyond the Objects: Sobre lo precario en Patrimonio (2003), de Ana Gallardo. Arte E Investigación, (20), e080. https://doi.org/10.24215/24691488e080

Issue

No. 20 (2021): Arte e Investigación 20

Section

Articles

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