Two Versions of the Latin American in Works by M. Etkin and M. Maiguashca
DOI:
https://doi.org/10.24215/24691488e065Keywords:
Etkin, CLAEM, MaiguashcaAbstract
Being post-serial avant-garde premises assumed, the political-aesthetic problem of the young creators who participated in the Di Tella Institute’s Latin American Center for Advanced Musical Studies was no longer how to dominate an always external model, but to achieve differentiation by means of their own language. Some fellows, later important composers, produced music and aesthetics relied on an idea of the Latin American based on pre-Columbian aspects. At least two trends were developed, one around the use of direct indigenous references, and another that transformed them into an abstract or conceptual component for the structure achievement. This paper analyzes works and writings of Mesías Maiguashca and Mariano Etkin, former fellows of the Center, which would represent paradigmatically both tendencies.Downloads
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