Pippa Bacca Through Her Performance Sposa in Viaggio

Analysis of Her Work and Study of the Concept Verità

Authors

  • Marc Montijano Cañellas Universidad de Málaga

DOI:

https://doi.org/10.24215/24691488e062

Keywords:

Pippa Bacca, performance art, action art, ; Brides on Tour, Feminist Art, Brides on Tour

Abstract

Study that seeks to contextualize and value the work of the Italian artist Pippa Bacca, who died in Turkey in 2008 during the development of the performance Sposa in Viaggio - Brides on Tour. Using the concept of truth in performance as the main thread of the discourse, we analyze the project, together with the work of famous artists of action art such as Marina Abramović, Ana Mendieta, VALIE EXPORT, Chris Burden or Beth Moysés. The Sposa in Viaggio project by Pippa Bacca is an extreme and very dramatic case in the performance history of the early 21st century.

Downloads

Download data is not yet available.

References

Albarrán, J. (2019). Performance y arte contemporáneo. Madrid, España: Cátedra.

Antmen, A. (2010). Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist Performance [Performar y morir en nombre de la paz mundial: De la metáfora a la vida real en la performance feminista]. Rupkatha Journal on Interdisciplinary Studies in Humanities, 2(1), 59-64.

Askey, R. (1981). Ein Interview mit VALIE EXPORT [Una entrevista con VALIE EXPORT], High Performance, 4 (1), 80.

Auslander, P. (2006). The Performativity of Performance Documentation [La performatividad de la documentación de la performance]. PAJ: A Journal of Performance and Art, 28(3), 1-10.

Ayerbe, N. y Cuenca, J. (2019). El selfie como performance de la identidad. Explorando la performatividad de la auto-imagen desde el arte de acción. Papeles del CEIC, 2 (213), 1-16.

Cabanne, P. (2013). Conversaciones con Marcel Duchamp. Madrid, España: This Side Up.

De Diego, E. (2015). Artes visuales en occidente desde la segunda mitad del siglo xx. Madrid, España: Cátedra.

Export, V., Weiner Longhauser, E. y Fleck, R. (2000). Valie Export: Ob/De+Con(Struction). Los Ángeles, Estados Unidos: Santa Monica Museum of Art.

Ferrer, E. (2017). Performance y utopía. Murcia, España: CENDEAC.

Hermoso-Espinosa García, S. (16 de julio de 2015). Entrevista a la artista Beth Moysés [Entrada de blog]. Recuperado de https://www.homines.com/arte_xx/beth_moyses_entrevista/index.htm

Hernández Velasco, I. (20 de abril de 2008). El último viaje de Giuseppina. Asesinada por «confiar» en los demás. Crónica N.º 653 de El Mundo, p. 6.

Iriarte, D. (20 de abril de 2012). Cadena perpetua en Turquía para el asesino de la novia artista. ABC. Recuperado de https://www.abc.es/internacional/abci-condena-asesinonovia-artista-201204200000_noticia.html

Mayordomo, C. (2019). Pippa Bacca. Recuperado de: http://conchamayordomo.com/2019/09/21/pippa-bacca

Pippa Bacca. (2012). Sposa in Viaggio – Bride on Tour. Recuperado de https://www.pippabacca.it/category/sposa-in-viaggio/

Ruido, M. (2002). Ana Mendieta. Guipúzcoa, España: Editorial Nerea.

Solana, A. (28 de octubre de 2014). Dum Pater Familias o Canto del Ultreia [Entrada de blog]. Recuperado de https://albertosolana.wordpress.com/2014/10/28/16-dum-pater-familias-o-canto-del-ultreia

Torrens, V. (2007). Pedagogía de la performance. Programas de cursos y talleres. Huesca, España: Diputación Provincial.

Downloads

Published

2021-05-21

How to Cite

Montijano Cañellas, M. (2021). Pippa Bacca Through Her Performance Sposa in Viaggio: Analysis of Her Work and Study of the Concept Verità. Arte E Investigación, (19), e062. https://doi.org/10.24215/24691488e062

Issue

No. 19 (2021): Arte e Investigación 19

Section

Articles

License

The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International. According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.

The cession of non-exclusive rights means that after the publication (post print) in Arte e Investigación the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the National University of La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.

Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.