Juan Andralis: Avant-Garde and Typography
(Paris - Buenos Aires, 1928-1994)
DOI:
https://doi.org/10.24215/24691488e056Keywords:
Printing, typography, surrealism, history, designAbstract
Juan Andralis is an essential exponent of Argentine and Latin American visual culture. His figure combined surrealism with design and handmade typography. In Paris he joined the group led by André Breton and worked in Cassandre’s studio. After his return to Buenos Aires he participated in the Design Department of the Instituto Di Tella, and from 1968 he opened his own printing press: El Archibrazo. The gift of ubiquity put him where he needed to be, with one foot in reality and the other on dream ground.Downloads
References
Andralis, J. (1953). Hierogamus [Pintura]. París, Francia: Colección El Archibrazo.
Andralis, J. (1987). Al pie de la letra. tipoGráfica. Comunicación para diseñadores, (1), 3. Recuperado de https://www.revistatipografica.com/1987/07/01/tpg-1/
Andralis, J. (1987). Un cuarto de siglo. tipoGráfica. Comunicación para diseñadores, (2), 3. Recuperado de https://www.revistatipografica.com/1987/09/01/tpg-2/
Andralis, J. (1989). Tres (veces tres) = nueve. tipoGráfica. Comunicación para diseñadores, (9), 3. Recuperado de https://www.revistatipografica.com/1989/11/01/tpg-9/
Andralis, J. (1991). Una pica de sal… tipoGráfica. Comunicación para diseñadores, (14), 43. Recuperado de https://www.revistatipografica.com/1991/08/01/tpg-14/
Andralis, J. y Glas, M. (1987). Dicotomía foto gráfica [Entrevista]. tipoGráfica. Comunicación para diseñadores, (1), 42-43. Recuperado de https://www.revistatipografica.com/1987/07/01/tpg-1/
Archivo tipoGráfica (s. f.). Breve historia de tpG. Recuperado de https://www.revistatipografica.com/
Archibrazo. (s. f.). Inicio. Recuperado de https://www.archibrazo.org/dig/
BauerTypes. (s. f.). Andralis ND. Recuperado de https://bauertypes.com/es/tipografia/andralis-nd/
Bruno, M. T. (1987). Una visión de Cassandre, reportaje a Juan Andralis [Entrevista].tipoGráfica. Comunicación para diseñadores, (1), 34-37. Recuperado de https://www.revistatipografica.com/1987/07/01/tpg-1/
Cátedra Fontana. (1996). Pensamiento tipográfico. Interfaces. Ciudad Autónoma de Buenos Aires, Argentina: Edicial.
Di Tella, G., Oteiza, E., Distefano, J. C., Fontana, R. y Andralis, J. (1987). La gráfica del Di Tella (1960/1970). tipoGráfica. Comunicación para diseñadores, (3), 7-18. Recuperado de https://www.revistatipografica.com/1987/12/01/tpg-3/
Editorial Argonauta. (s. f.). Editorial Argonauta. Recuperado de http://www.editorialargonauta.com.ar
Fontana, R. (2012). Ganarse la letra. Ciudad de México, México: Universidad Autónoma Metropolitana.
Instituto Di Tella. (s. f.). Departamento de Diseño Gráfico y Departamento de Fotografía. Recuperado de https://itdt.edu/0departamento-de-diseno-grafico-y-departamentode-fotografia/
Jalluf, Z. y Venancio, C. (1993). Rubén Fontana. Barcelona, España: Gustavo Gilli.
Peicovich, E. (1993). Juan Andralis. Programa La Noche Abierta. [Entrevista]. Recuperado de https://www.archibrazo.org/dig/entrevista-a-juan-andralis/
Valdés, S. (2004). Revolución surrealista y utopía urbana en América Latina. Ponencia presentada en las 6.º Jornadas de Sociología. Facultad de Ciencias Sociales, Universidad de Buenos Aires, Ciudad Autónoma de Buenos Aires, Argentina.
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International. According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arte e Investigación the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the National University of La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
