Canonical Formations, Archive, Latin American Art
DOI:
https://doi.org/10.24215/24691879e016Keywords:
Archive, canonical formations, Latin American art, EscombrosAbstract
This article collects the work done in the research residence at the Center for Studies and Documentation of the Museum of Contemporary Art of Barcelona (CED-MACBA). The purpose of the project entitled «Active archives. An approach to the Escombros group from here and from there» was to survey, describe and analyze the documents related to the group that are in the funds belonging to the CED. On this occasion, we will try to review how the mechanisms of the canonical system work in the conformation of the MACBA archive and how the archive, in theoretical terms, can be thought of as a canon, thatReferences
Carnevale, G., Expósito, M., Mesquita, A., Vindel, J. (2015). Desinventario. Esquirlas de Tucumán Arde en el Archivo de Graciela Carnevale. Santiago de Chile, Chile: Ocho libros
Dávila Freire, M. (2011). ¿Es una obra o es un documento? El Centro de Estudios y Documentación del MACBA. En G. Picazo (Coord.), IMPASSE 10 (pp. 300-308). Recuperado de http://www.macba.cat/uploads/20120612/Impasse_texto_Mela_CAST_maq.pdf
Foucault, M. (1969). Arqueología del saber. Ciudad de México, México: Siglo Veintiuno.
Giglietti, N. y Sedán, E. (2018). Archivos públicos y privados. Las instituciones entre el dominio histórico y el artístico. Entrevista a Mela Dávila Freire. Nimio. Revista de la cátedra Teoría de la Historia, (5). doi: 10.24215/24691879e006
Longoni, A. (2015). El mito de Tucumán Arde. En G. Carnevale, M. Expósito, A. Mesquita, J. Vindel, Desinventario. Esquirlas de Tucumán Arde en el Archivo de Graciela Carnevale (pp. 253-265). Santiago de Chile, Chile: Ocho libros.
Mesquita, I. (2017). Un repositorio latinoamericano en la Colección MACBA. En F. Barenblit, C. Dercon, A. Grandes, I. Mesquita, A. Perelló, Colección MACBA. Una selección (pp. 33-39). Recuperado de https://www.macba.cat/uploads/20171123/ivo_mesquita_esp.pdf
Pollock, G. (2008). Desde las intervenciones feministas hasta los efectos feministas en las historias del arte. Análisis de la virtualidad feminista y de las transformaciones estéticas del trauma. En X. Arakistain y L. Méndez (Dirs.), Producción artística y teoría feminista del arte. Nuevos debates I (pp. 43-63). Vitoria, España: Centro Cultural Montehermoso Kulturunea.
Schraener, G. (2009). En los márgenes del arte. Creación y compromiso político [Catálogo de exposición]. Recuperado de https://www.macba.cat/uploads/20090819/Margenes_CEDOC_cas.pdf
Vindel, J. y Longoni, A. (2010). Fuera de categoría: la política del arte en los márgenes de su historia. El Río sin orillas. Revista de Filosofía, Cultura y Política, (4), 300-336.
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Nimio the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.