How to Reinterpret the Happening? Reflections on a Retrospective of Escombros
DOI:
https://doi.org/10.24215/24691879e007Keywords:
Escombros, archive, ephemeral art, Walden galleryAbstract
As part of our investigation into the early works ofEscombros Group through the personal archive of HectorPuppo —founder and participant— we set out to givesome impressions on the retrospective exhibition GrupoEscombros. Pancartas 30 Años (1988-2018), which tookplace at Walden Gallery (Buenos Aires) from March to Mayin 2018. In this review, we will examine how the archiveof the work itself and its paratext represent an importanttool with great potential for the presentation and thereinterpretation of this type of productions.References
De Rueda, M. A. (2018). Grupo Escombros/Pancartas. Recuperado de http://www.waldengallery.com/exhibiciones/#/new-gallery/
Foucault, M. (1979). La Arqueología del Saber. Ciudad de México, México: Siglo XXI.
Genette, G. (2001). Umbrales. Ciudad de México, México: Siglo XXI.
Grupo Escombros (1988). Pancartas [Acción]. Recuperado de http://www.grupoescombros.com.ar/pancartas.html
Grupo Escombros (1989). La estética de lo roto. Primer Manifiesto. Recuperado de http://www.grupoescombros.com.ar/imgs/publicaciones/manifiestos/laesteticadeloroto.html
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