Archive of What Remains: Escombros
Keywords:
Grupo Escombros, archive, affection, ephemeral, fragmentAbstract
In the present research we will look into the personal archive of Héctor Puppo regarding the works of Escombros group, in order to make an account of its importance as a device for the reconstruction of the group’s history based on the material registry of the events, their artworks. The affective dimension playing a role at the necessity of materializing the works and making them subsist through the archive will also be studied. Also, we will look for the possible tension between the nature of the happenings and the nature of their registry. To give attention to these features we will take Michel Foucault’s concepts on archive as a discursive system.Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Nimio the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.