The Carlos Ginzburg Archive

Authors

  • Fernando Davis Facultad de Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/24691879e040

Keywords:

Archive, avant-garde in La Plata, memory, signs, ecological art

Abstract

In 2019 Carlos Ginzburg donated a set of documents from his personal archive to the Art Archive of the Art Center of the National University of La Plata, through the collaboration of researcher Fernando Davis and the group Red Conceptualismos del Sur. It consists of around 142 photographs, photographic negatives, flyers and press clippings accompanied, in many cases, by annotations by the artist, which make up a body of materials on a fundamental and little-known episode of the avant-garde of La Plata in the 60s and 70s. In this article, Davis develops and contextualizes central aspects of the documents in the Archive.

References

Giglietti, N. y Sedán, E. (2020). Madre tierra, Carlos Ginzburg [Catálogo]. Recuperado de https://www.centrodearte.unlp.edu.ar/wp-content/uploads/2020/04/Post-Madre-Tierra_compressed.pdf

Longoni, A. (2010). Artista mendigo / artista turista: migraciones descentradas. En C. Medina (Ed.), Sur, sur, sur, sur. Séptimo Simposio Internacional de Arte Contemporáneo (SITAC) (pp. 115-127). Ciudad de México, México: Patronato de Arte Contemporáneo.

Published

2021-09-21

How to Cite

Davis, F. (2021). The Carlos Ginzburg Archive. Nimio, (8), e040. https://doi.org/10.24215/24691879e040

Issue

Section

Essays