Dalila Puzzovio: Inhabiting the Interstice
An Analysis from Visual Studies
DOI:
https://doi.org/10.24215/24691879e036Keywords:
Archive, design, art, visual, studies, genderAbstract
The present work addresses a series of files which comprises the Dalila Puzzovio and Squirru Charlie background that belongs to the IDA Foundation collection, which focuses specifically on the production of the artist and designer, recording plenty of disciplines that she practiced throughout her career. Starting from the visual and gender studies, it is possible to carry out new readings and updates of the acquis and the selected files, considering the intertwining between design and artwork as well as the importance of gender category in historical analyses.References
Chartier, R. (1994). El mundo como representación. En El mundo como representación, Estudios sobre historia cultural (pp. 45-61). Barcelona, España: Gedisa.
Fundación IDA. (2019). Investigación en Diseño Argentino. Gestión, Archivo, Colección. Recuperado de http://www.fundacionida.org/
Giunta, A. (2010). Archivos. Políticas del conocimiento en el arte de América Latina. ERRATA. Revista de Artes Visuales, (1), 20-37. Recuperado de https:// issuu.com/revistaerrata/docs/revista_de_artes_visuales_errata_1_issuu
Marchán Fiz, S. (2005). Las Artes ante la Cultura Visual. Notas para una genealogía en la penumbra. En J. L. Brea (Ed.), Estudios Visuales. La epistemología de la visualidad en la era de la globalización (pp. 75-90). Madrid, España: Akal.
Pollock, G. (2013). Visión y diferencia. Feminismo, feminidad e historias del arte. Ciudad Autónoma de Buenos Aires, Argentina: Fiordo.
Saulquin, S. (2019). Aceleración y nuevas formas de vida en los 60. En Fundación IDA y Malba, Ideas materiales. Arte y diseño argentino en la década del 60 (pp. 91-114). Recuperado de https://issuu.com/museomalba/docs/ ida_completo_baja
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