We Do Not Shut Up, We Show
Democratic Records of the Carnevale Fund
DOI:
https://doi.org/10.24215/24691879e034Keywords:
Graciela Carnevale, digital archive, assembly, materiality, democraticAbstract
This article analyzes a poster and three photographs taken from the Graciela Carnevale collection, corresponding to Acción del Encierro [Confinement Action] (1968), a happening carried out within the framework of the Cycle of Experimental Art in Rosario. The selected documents are part of the collection Archives in use of the Red Conceptualismos del Sur and are activated by thinking about them in a discursive sequence articulated in three moments: the act of enclosing, the act of seeking liberation and the liberation product of the rupture of the glass through collective action. The images are inserted into a synchronic and democratic whole —the archive— in a kind of montage made available to an audience that will ask new questions.References
Carnevale, G. (2019). El archivo como práctica artística y activismo. En F. Carvajal, M. Dávila Freire y M. Tapia (Eds.), Archivos del común II: el archivo anómico (pp. 102-110). Madrid, España: Ediciones Pasa fronteras / Red Conceptualismos del Sur.
Carnevale, G. y Cristiá, M. (2018). Archivo subjetivo-colectivo. El caso del archivo de Graciela Carnevale como objeto social. En M. V. Castro y M. E. Sik (Comps.), Actas de las II Jornadas de discusión. I Congreso Internacional. Los archivos personales: prácticas archivísticas, problemas metodológicos y usos historiográficos (pp. 112-118). Ciudad Autónoma de Buenos Aires, Argentina: CeDInCI
Cristiá, M. y Carnevale, G. (2007). Graciela Carnevale. Recuperado de http://www.archivosenuso.org/carnevale/colecciones#
Rolnik, S. (2010). Furor de archivo. Estudios Visuales. Retóricas de la Resistencia, (7), 116-119. Recuperado de https://studylib.es/doc/6050530/ furor-de-archivo---estudios-visuales
Pineau, N. (s. f.). El Encierro. Recuperado de http://www.vivodito.org.ar/ node/155
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