Noiferent. Una producción de música popular para mirar
Abstract
La fuerza del poeta indaga en la naturaleza de lo que entendemos como la frontera de las cosas, la forma de algo, y nos interroga con cierta rebeldía en cuanto a los orígenes del proceso que configuran sus límites: ¿por qué hasta aquí?, ¿quién lo dijo?, ¿quién lo estableció?References
Gelman, J. (1958). Poema Límites. En El juego en que andamos (p. 25). Ciudad Autónoma de Buenos Aires, Argentina: Editorial NE.
Madoery, D. (2000). El arreglo en la música popular. Arte e Investigación, (4), 90-95. Recuperado de http://sedici.unlp.edu.ar/bitstream/handle/10915/18669/Documento_completo.pdf?sequence=1&isAllowed=y
Polemann, A. (2013). La versión en la música popular. Arte e Investigación, (9), 95-101. Recuperado de http://sedici.unlp.edu.ar/bitstream/handle/10915/39580/Documento_completo.pdf?sequence=1&isAllowed=y
Schinca, J., Del Río, F., Chatelet, G. y otros. (2018). Noiferent [Video de YouTube]. Disponible en https://www.youtube.com/watch?v=NyZtKvKPnCM&t=10s
Schinca, J. (21 de diciembre de 2018). Proceso Noiferent [Video de YouTube]. Disponible en https://www.youtube.com/watch?v=e7-ahki9CQw
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