Music to See. Collaborative Practices in Scenic Music
DOI:
https://doi.org/10.24215/24516643e013Keywords:
Music, scene, performance, composition, interpretationAbstract
This article focuses on the instances of composition, notation and interpretation of scenic music in the field of contemporary concert music in Buenos Aires from the observation of the work of four local artists who, through a collaborative practice between performers and composers, articulate processes that imply a revision of the concert as an institution and an opening towards new concepts around the intervening agents and their roles.References
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