Defining a Ghost What is Real in Óscar Muñoz
DOI:
https://doi.org/10.24215/24516643e010Keywords:
Real, ontology of photography, expanded photography, printmakingAbstract
In the context of the ontology of photography,what is real is suggested as the key toapproach the work by the Colombianartist Óscar Muñoz. The corpus of selectedpieces is an invitation to problematize theepistemological definitions of the discipline. Inthis line, we revised some authors who builtthe classic photographic theory of the 20thcentury, as well as those authors that haverecently stated the categories of expandedphotography and post-photography, whichare still under development.References
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