What else could your remembrance give me? Accident, Photography & Archive
DOI:
https://doi.org/10.24215/24516643e005Keywords:
Photographic archive, accident, critical genealogy, discontinuityAbstract
This article outlines possible orientationsfrom where to reconstruct a photographicarchive. The aim is to show that narrationsare not lineal, not even in the constructionand reconstruction of archives. For this, theconcepts of realms of memory of PierreNora and critical and dialectical genealogyof Michael Foucault are emphasized. Aspractices and actions that condense thisconceptual framework through photography,two works are analyzed: Migrant Mourning,Cristian Ochoa’s workshop (Chile), and OtsuchiFuture Memories, by Alejandro Chaskielberg(Argentina).References
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Chaskielberg, A. (2015). Otsuchi. Memorias del Futuro [Fotografías]. Recuperado de https://chaskielberg.com/portfolios/otsuchi-future-memories
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Ochoa, C. (2016). Duelo migratorio. Taller de fotografía intercultural [Fotografías]. Recuperado de https://issuu.com/cristianochoa2/docs/injuv__4_.compressed
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Van Dormael, J. (Dir.). (2009). Mr. Nobody [DVD, video]. Bélgica, Francia, Canadá: Christal Films, Integral Films, Lago Film, Pan Européenne.
Zacharías, M. P. (11 de octubre de 2016). Cuando la vida no es más que una serie de «memorias del futuro». La Nación, p.14.
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