The Beloved Filth. Urban Memory in Franco’s Work
DOI:
https://doi.org/10.24215/24516643e004Keywords:
Memory, filth, Fernell Franco, cities, Latin AmericaAbstract
This is an essay about the work of theColombian photographer Fernell Franco(1942-2006) which arises from its associationwith the concepts of memory and dirt. Itanalyzes how peculiarly it highlights a socialhistoricalprocess that defines us as LatinAmericans: the Eurocentric progress breakingthe entire essence of our cities. It outlinesthe contrast between an aseptic esthetichorizon connected to the hegemonic estheticoppression and a protection of the filthy asresistance to what is forgotten for being oldfashioned, non productive.References
Barthes, R. (2012). La cámara lúcida: Notas sobre la fotografía. Buenos Aires, Argentina: Paidós.
Caicedo, A. (2008). ¡Qué viva la música! Buenos Aires, Argentina: Norma.
Canal Encuentro. (18 de abril del 2018). Historias debidas VIII: Silvia Rivera Cusicanqui [Archivo de video]. Recuperado de https://www.youtube.com/watch?v=1q6HfhZUGhc
Franco, F. (1974-1980). Amarrados [Serie fotográfica]. Recuperado de http://fernellfranco.org/galerias/
Franco, F. (1980-1987). Interiores [Serie fotográfica]. Recuperado de http://fernellfranco.org/galerias/
Franco, F. (1990-2004). Demoliciones [Serie fotográfica]. Recuperado de http://fernellfranco.org/galerias/
Franco, F. (2016a). Amarrados [Textos de la serie]. Recuperado de http://fernellfranco.org/galerias/
Franco, F. (2016b). Interiores [Textos de la serie]. Recuperado de http://fernellfranco.org/galerias/
Franco, F. (2016c). Demoliciones [Textos de la serie]. Recuperado de http://fernellfranco.org/galerias/
Halfon, M. y Kairuz, M. (5 de octubre de 2014). Revolver el presente. Página 12. Recuperado de https://www.pagina12.com.ar/diario/suplementos/radar/9-10069-2014-10-05.html
Jiménez, J. A. (2000). Las 100 Clásicas, Vol. 2 [CD]. México: Sony International.
Kantor, T. (1987). El teatro de la muerte. Buenos Aires, Argentina: De La Flor.
Segato, R. (2016). La guerra contra las mujeres. Madrid, España: Traficantes de sueños.
Solano, A. F. (2014). Amarrados, Fernell Franco. Revista Arcadia, Especial: Arcadia 100. Recuperado de https://www.revistaarcadia.com/impresa/especial-arcadia-100/articulo/arcadia-100-amarrados-fernell-franco/35078
Vallejo, C. (2006). Poesía completa 2. Buenos Aires, Argentina: La Página.
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Metal the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.