Picture of Time. The Work of Plossu and Iasparra
DOI:
https://doi.org/10.24215/24516643e003Keywords:
Photography, time, space, Fresson processAbstract
This paper develops around the representationand construction of time in the photographicimage. We propose two axes of analysis(technical and spatial) to visit the collectionof pictures, composed by El Jardín de Bernard,by Bernard Plossu, and Paisajes, by IgnacioIasparra. The problem proposed by this papershould be seen as the potential of Time inthese pictures for resisting the hegemonicphotographic language, governed by apresent, instantaneous image, in closedialogue with contemporary global time andthe capitalist system.References
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Facio, S. (2003). Encuadre y foco. Buenos Aires, Argentina: La azotea.
Iasparra, I. (1999-2002). Paisajes [Serie fotográfica]. Recuperado de http://www.nachoiasparra.com.ar/index.php?galeria=1
Plossu, B. (2011). El jardín de Bernard. Revista Dulce Equis Negra, 7(12), 5-43.
Sontag, S. (1980). Sobre la fotografía. Buenos Aires, Argentina: Sudamericana.
Sugimoto, H. (1998). Sugimoto (Fundación la Caixa). Lisboa y Madrid: Fundación La Caixa.
Peirce, CS. (1984). ¿Qué es un signo? En Collected Papers. Cambridge, Estados Unidos: Harvard University Press.
Tarkovski, A. (2002). Esculpir en el tiempo. Reflexiones sobre el arte, la estética y la poética del cine. Madrid, España: Rialp S.A.
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